Early on as a team, we came to the decision to revolve the graphics of Season 2 around the concept of mazes, a choice that the people at Hulu felt had potential. Since we’re working with a murder mystery comedy, using maze visuals would best show the main characters getting lost in a sea of clues. Since I essentially had to tease the next season without actually showing anything from the next season, I decided that the most engaging material to use would be the cliffhanger from the end of the previous season, as well as hints that allude to the audience’s burning questions.
Everyone on the team who worked on motion media put together rough cuts. Below is my rough cut, which I eventually used to build the final teaser trailer.

While the teaser trailer was exclusively animated and edited by me, it would have not been possible without the team's earlier creative discussions. Everyone eventually had their own creative to contribute to the final brand package, but there was also a "cross-pollination" of assets and ideas, so to speak. The "ID Team" (or "ID sub-team") would work on network and show ID's that would be used across all motion media in the team's overall project. Additionally, in my specific case, I used the 'building exterior' asset created by the Main Title Team, while that same team used the 3D hallway sequence (seen in the teaser trailer I created) as a base for a scene in their main title. Not only did this free distribution of assets and ideas speed up the project's progress, but doing this also made the project feel more cohesive.